
Aphrodisias Theatre
About
Gaius Julius Zoilos, a freedman of Octavian who returned home rich and powerful, paid for this theatre's elaborate three-story marble stage building before 28 BCE and dedicated it to Aphrodite and the people. Carved into the slope of the acropolis mound, it seated several thousand for Greek-style drama and civic assembly. It had already stood for well over a century when Hadrian became emperor.
What happened here
Seating is the message: the front rows are reserved by law for the town council, and everyone can see who is sitting where. The building is a half-circle against a tall stone backdrop that also serves as a permanent set, and the acoustics are good enough that an actor can be heard without effort. The programme is mime and pantomime more than the old tragedies — bawdy, topical, sometimes politically sharp enough that performers get exiled. Audiences are loud, partisan, and quite prepared to shout a piece down. Awnings and perfumed water sprays are laid on when the sponsor is generous. Shows are attached to religious festivals and paid for by a magistrate who wants the credit, and his name is on the seating.
In ancient writing
- I.Aphrodisias 2007, 8.5, Stage-building dedication of C. Julius Zoilos c. 30-27 BCE
An inscription cut into the stage building records that Zoilos, a freedman of Augustus who returned home wealthy, personally paid for the stage, its proscenium, and all its decoration.
Sources
Nearby
Roman Maps shows the empire frozen at 11 August 117 CE, the day Trajan died — its moment of greatest territorial extent. Explore the full map →
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